![]() Eventually, Kevin, who is white, is transported with her, and the two are forced to play the narrative of slave owner and slave in order to survive. She barely has time to furnish her new house and spend time with her new romantic interest Kevin (Micah Stock) when she starts to see flashes of a very different world: a plantation in the antebellum era owned by Tom Weylin (Ryan Kwanten), a brutish dullard of a man. It becomes clear all too quickly that these aren't visions or dreams, but that she is being yanked to and fro through time. More: How Octavia Butler's legacy was born out of a bad science-fiction movieĭana James (Johnson) has just left a life of familial obligation behind in New York and moved to Los Angeles to pursue her dream of writing for television. This is a story about one woman, her past and her future, and its scope is both intimate and epic. It is not just another one of those slavery stories, where the humanity of the enslaved characters is wiped away by the narrative need for them to be heroes, defined only by their enslavement and quest for freedom. It is in this context that FX debuts 'Kindred' (streaming Tuesday on Hulu, out of four), an eight-episode adaptation of celebrated science fiction writer Octavia E. It is a haunting, horrific story, told with nuance, care and excellent timing by creator Branden Jacobs-Jenkins ("Watchmen"). But it is far closer to the breathtaking "Railroad" than the graceless "Antebellum." And perhaps on the surface, "Kindred" looks like many of these other stories. The recent spate of similarly themed projects may make "Kindred" feel derivative, even though its source material predates most of them. More: 'Kindred': How the new Hulu show compares to Octavia E. Butler's 1979 novel about a modern-day Black woman (Mallori Johnson) who's transported back in time to the slavery plantation of her ancestors. It is in this context that FX debuts "Kindred" (streaming Tuesday on Hulu, ★★★ out of four), an eight-episode adaptation of celebrated science fiction writer Octavia E. With saturation can come exhaustion, repetition and stereotype: Will Smith's "Emancipation," which arrived on Apple TV+ this month, was met with some criticism for its use of the tropes of the slavery narrative. Some of these films and TV shows are transcendent and affecting, while others are exploitative and in poor taste. There's something of a cottage industry in Hollywood's recent stories of slavery and historical racism, and an even more specific subgenre with a science fiction, fantasy or horror elements. " The Underground Railroad." " Antebellum." "12 Years a Slave." "The Birth of a Nation." "Harriet." "Them." "Lovecraft Country." " Emancipation." Watch Video: 'Star Trek,' 'Mission: Impossible': The best TV-to-movie adaptations
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